Character arcs (change)
What if Dwayne/Frank were left alone?
Look at family alliances.
Why might family therapy help depression?
I will talk about
Depression,
Perfectionism,
Nihilism,
Family Dynamics
Then we will open for questions, comments, discussion
I Depression
Maybe I have Kurt Vonnegut on the brain, since he just died on April 11, so it goes.
But script writer Michael
Arndt seems to have borrowed a name from Vonnegut’s
Breakfast of Champions in which
“Dwayne Hoover’s body was manufacturing certain chemicals which
unbalance his mind.”
I don’t know that we have
enough information
to diagnose the despair of
either Dwayne or Uncle Frank
for the full checklist and
time for a Major Depressive Episode,
so I’ll take a minute to talk about a couple non-standard aspects of depression.
Atypical Depression meets MDE
criteria, but has a specific cluster of features
One is “mood reactivity”; that is, you may actually feel better
when something good happens.
Another is “leaden paralysis”. You may notice early on that, at times, it seems to be a major
effort for Dwayne to just move his body
around.
There is also rejection sensitivity, which appears likely
for Dwayne since he does not seem to have any friends, and asks only to be left
alone.
Other features include overeating and oversleeping, and Atypical
Depression has a tendency to appear in teenagers or young adults.
So, despite the apparent improvement in mood, you may want to keep an eye on Dwayne.
“Depressive Disorder NOS-does not necessarily meet
MDD criteria.
A person may have persistent
depressive symptoms, but not quite enough to fill out the MDD checklist.
Or there may be recurring
episodes that don’t meet the 2-week minimum requirement.
This category may also be
used for a depressive person who also has delusional or psychotic features.
Uncle Frank may have attempted suicide during an acute s reaction to a series of discouraging life events.
I think the suggestion in this
movie that it can help create hope, show the possibility of change, if
all family members are willing to work toward that goal.
Incidentally, thinking of
the chemicals that “unbalance the mind”, research shows that successful talk
therapy produces changes in brain chemistry very similar to successful
medication.
There are a couple occasions, at the beginning of the trip and after Dwayne’s explosion, when it is suggested they might be left behind. What might have been the impact?
9 steps/perfectionism
With these atypical or NOS
forms of depression, I think
there is often a pervasive
“negative voice or thought system” in the background of a person’s mind. And this relates Richard Hoovers 9 steps
system.
The 9 Steps: could be
summarized as: Try harder, don’t quit,
winner takes all.
To Writer Arndt , exposing the limitations of the his system
was a central theme of the story. He
expressed regret that he did not make Richard
“even more formidable.”
Again, I will refer to Vonnegut, and I will take a quote out
of context from Slaughterhouse Five:
Every other nation has folk traditions of men who were poor but
extremely wise and virtuous, and therefore more estimable than any one with power and gold. No such tales are told by the
American poor They mock, themselves and
glorify their betters. …Their most
destructive untruth is that it is very easy for any American to make
money. They will not acknowledge how in
fact
hard money is to come by, and, therefore, those who have no money blame and blame and
blame themselves.
So some of the messages of persistence in Richard’s system have some
value, but they run the severe risk of being distorted into that “Negative Voice”.
You wonder about the
relationship with his father when Richard was growing up.
Edwin expresses some regrets
for things he didn’t try. Nonetheless,
he appears to have had some financial success, since he was living in a fancy
retirement home. Did he live most of
his life in an unsatisfying job, perhaps communicating resentment of his
obligations? Was this a model
Richard was trying to avoid?
In the script, Richard is
described as having the “Stocky; stiff-legged gait of former athlete.” Was he trying to recapture some success
he had enjoyed previously through his athletic talent?
(Back story: Frank and Sheryl were bright; she might have chosen a
career like Frank’s, but chose motherhood instead. Did she expect more out of Richard, the athlete. Was she attracted to him as a “winner”
originally? Couples sometimes come to resent
the very things that initially attracted them.)
Nihilism/Nietzsche
Friedrich Nietzsche is
virtually a character in this movie, so he warrants some mention.
In “Thus Spoke
Zarathrustra”, which Dwayne is reading in the movie, Nietzsche makes the famous
pronouncement, “God is Dead”.
This is sometimes embraced
by Nihilists to demonstrate that meaning is dead, a sort of nihilist manifesto.
But you can also argue that
it is the beginning of meaning.
Dwayne seems inspired to
action, to develop the power of self expression, albeit without words. This is why Dad can identify him with the 9
steps.
Nietzche’s Übermensch has the appeal of being a path to self realization and individuation, but is also has the seeds of the Nazi’s intolerance for anyone who didn’t meet their narrow ideal of perfection.
Family Dynamics (Character arcs)
lThere is a branch of Family
Systems theory that focuses on the family structure.
lFor example, one aspect of the
structure is having the family together for dinner. It’s reasonable to speculate that this is a
regular thing for the family. Even
Dwayne participates.
lIn two different family meals we
see a similar dynamic structure. It
pretty much seems to be Dad against everyone else, with Olive in the middle.
lDespite some reluctance and
conflict, the family unites behind Olive’s “Little Miss Sunshine” dream.
lThey form a real team to launch
the clutchless bus.
lFamily unites behind dad’s plan
after grandpa dies.
So one of the strengths of
the family that is revealed is that the structures are not rigid, they are flexible
enough to adapt to changing circumstances.
This is something that a
therapist can sometimes provide in family therapy, exercises or suggestions
that change the family structure to reveal that flexibility.
Reviewers talk about
family dreams. This is also an aspect of the family structure. Most of the characters are quite self-absorbed. The whole family serves Olive’s longing;
Arndt: other characters “not that sympathetic”
lRichard seeks success for his 9
steps.
lDwayne wants to withdraw to his
own world to prepare to be a test pilot.
lGrandpa seems to have developed
in to pure Id, wanting to be allowed unrestrained hedonistim
lFrank has committed the ultimate
act of self-absorption—attempting suicide.
(Arguably, Frank had achieved his dream and lost it --#1 Proust scholar,
relationship)
lDid Richard lose his dream?
Paradox: The family structure provides the support that permits most characters to be self-absorbed, to even express contempt for the family.
Sheryl has deferred to
Richard’s dream Mom is the only one seems to focus outward. Jungians might like to have a discussion of
the role of the feminine principle here.
She is essentially the vessel that contains the family’s dreams (Mom
“Let Olive be Olive.”), but it is wearing on her.
Deleted scenes: mom forsook
career for family/Dwayne; Mom & Dad on brink of divorce.
If a family strength is
flexibility, the ultimate in flexibility is forgiveness, the tolerance of
differences and error.
Dwayne’s silence is somewhat
extreme, but tolerated. (Would you push (Dwayne to talk?) Writer tried to make him extreme, hard
to relate to, but is somewhat surprised that the audience identifies with him.
Even Dad credits him for
having a plan.
Then, when he does talk!!
“You’re
not my family. I don’t want to be your
family. I hate your fucking people. I hate you
Divorce, bankrupt, suicide…You’re fucking losers. you’re
losers…[undoubtedly the world’s worst insult in this family.” …”Please just leave me here.”… …
Yet, given a few minutes to
collect himself: “I apologize for the
things I said. I was upset. I really didn’t mean them.”
The family accepts it, and
moves on.
I can think of no more powerful statement in this movie, or perhaps any other.